‘Tomorrow’ Exhibition at David Gill Gallery
We are proud to announce our new show ‘Tomorrow’.
13th October – 10th November 2025
Entitled Tomorrow, Fredrikson Stallard’s latest body of works invites viewers to explore the shifting relationship between perception and identity through the lens of beauty and constructed reality. The series, encompassing polished steel wall sculptures and towering monolithic forms, reflects on how contemporary selfhood is shaped and mirrored through material presence and visual experience. The new work serves as a powerful exploration of these themes within captured and distorted reflections that prompt us to question the narratives we construct around identity and the influence of technology in our lives. Fredrikson Stallard not only celebrate beauty but also wield it as a tool for introspection and critical engagement with the world around us.
Fredrikson Stallard first burst onto the art scene in London in 2005 with their iconic sculpture and furniture and have since become synonymous with contemporary British art and collectible design. Their award-winning work is recognised for its ability to create emotionally engaging works and immersive installations, uniting and mastering the platforms of art and design. Their latest body of work exude an alluring perfection, simple yet precise folds meticulously formed into the metal surface serving as a canvas that captures and distorts the viewer’s image and surroundings, transforming the familiar into surreal, dreamlike fragments. A deeper observation however reveals a rich tapestry of meanings that reflect the complexities of modern existence and self-image. What at first appears minimal reveals, upon deeper observation, a layered reflection of modern existence and self-image. Each piece manipulates reflection with exacting subtlety, inviting viewers to confront their own image through a playful yet profound lens. The distortions, reminiscent of the mischievous charm of Hall of Mirrors, challenge individuals to reconcile amusement with the unsettling nature of distorted perceptions, encapsulating the duality of joy and reflection. Fredrikson Stallard harness this dichotomy, positioning their works as vessels that highlight the absurdity of striving for perfection while simultaneously acknowledging the inherent flaws that define human experience.
“Our work sits at the intersection of art and utility, history and modernity, self-awareness and playful escapism. The folded surfaces with Tomorrow transform the act of observation into a discourse between the observer and the observed, a refracted exploration of how we see ourselves and the world around us. We feel this to be a thoroughly timeless question yet interpreted in an entirely contemporary and relevant way, that is rooted in the world today and looking where we might end up in the future.”
The latest pieces also nod to the baroque era, a continuing reference in Fredrikson Stallard’s work, drawing parallels to its dramatic interplay of light, shadow, and opulent distortions. Baroque paintings often used mirrors as symbolic tools, reflecting complex themes of vanity, introspection, and the transient nature of beauty. Fredrikson Stallard’s exploration in “Tomorrow” masterfully navigates the interplay between the indulgent baroque and the sublime minimal, juxtaposing such aesthetics to enrich our understanding of identity and perception in a digital age, where the allure of perfection often encounters the chaos of reality. The works skilfully manoeuvre the tension between striving for perfection and accepting the inherent imperfections of reality. The flawless surfaces represent the idealised, while the folds introduce an element of chaos, disrupting the illusion of control. This dichotomy mirrors the human condition, where the desire for order constantly grapples with the unpredictable nature of life. In addressing the distorted imagery that arises from these sculptural encounters, the work echoes the insights of Francis Bacon, who remarked, “I want a very ordered image, but I want it to come about by chance. If you want to convey fact, this can only be done through a form of distortion. You must distort to transform what is called appearance into image.” This sentiment aligns seamlessly with Fredrikson Stallard’s artistic perspective, whereby the distortion of self-image catalyses deeper reflection about authenticity. Each piece carries narratives that challenge viewers to reconsider their relationship with reflection as both a physical and metaphorical act, moving beyond mere decoration to the heart of artistic intent. The reflective quality inherent in each work further amplifies their engagement with space and context. Viewed from different angles, these works dynamically interact with their environments, absorbing and projecting back the ambient world around them. This ability to reflect and transform space creates a versatile discourse where the works themselves become active participants in the perceptual experience, encouraging viewers to reconsider their relationship within the broader landscape of contemporary life. Tomorrow becomes more than a collection of sculptural forms, it is a living mirror, reframing the dialogue between self, space, and society.
DAVID GILL GALLERY | 2-4 KING STREET LONDON SW1Y 6QP | DAVIDGILLGALLERY.COM